Weimar: A Cultural History PDF ✓ Weimar: A eBook

E covers the establishment of the Republic after WWI; the intellectual hostility to the Republic from both the factional idealistic left the chauvenistic idealistic right; novels plays music art architecture; university life; operetta cafes cinema jazz cabarets Yet “as much a part of the Zeitgeist as the Bauhaus The Magic Mountain Prof Heidegger Dr Caligari” writes Laueur “were knickerbockers even Th Mann wore them mass tourism the growth of department stores the death mask of l’Inconnue de la Seine the hit songs of the period occultism nudism the immense impact of radio the cinema” To left intellectuals the democratic Weimar consitution didn't compare to their utopian vision had to be scorned As in many other countries the left was viciously factional hence politically ineffective Inevitably there was much hatred suabbling between communists Social Democrats On the other hand the right intellectuals they resented the description viewed the new constitution as an unpatriotic insult Weimar culture as decadence degenerancy cultural Bolshevism This was a vague term “assuming in all earnest that Dada Brecht’s refrain 'Feed us before you preach to us' or Walter Mehring’s Merchant of Berlin represented the esthetic theory the moral philosophy of Marxism Leninism” In reality the contemporaneous Soviet attitude to the arts was eually anti Modern in this period of girl meets tractor socialist realism But Laueur concludes that these intellectuals played little part in the rise of the Nazi thugs The Nazis were bluntly anti intellectual According to Laueur Berlin was not the sole cultural locus of Weimar Frankfurt Munich Dresden Hamburg Breslau Leipzig were each centres for arts ideas German literature at the time had “no spiritual or geographical centre”– not even as might be expected at the famous Romanische Café in Berlin which is evoked as a “literary caravanserai” populated by school reformers revolutionaries thieves junkies vegetarians the salonkommunisten a group that included such fascinating characters as the great Dada painter Georg Grosz Laueur puts Th Mann in the category of ‘Republican Classics’ the “real representatives of the spirit of the new Republic” Mann was a bürger “a conservative socialist in politics a conservative innovator in literature” who didn't assume roles of “educator or prophet” Major writers of the 's included Stefan George Hermann Hesse but those who best captured the zeitgeist were Heinrich Mann Thomas' elder brother Jakob Wassermann Alfred Döblin whose Berlin Alexanderplatz ' is “unrivalled in world literature as a symphony of big city life” Arnold Zweig Leonard Frank Lion Feuchtwanger The stage was most expressive of the spirit of the age most notably in the productions of Max Reinhardt as well as Reinhardt’s antithesis Leopold Jessner the proletarian theatre impresario Erwin Piscator Bertolt Brecht– “anti bourgeois anti establishment anti respecta.

weimar free cultural epub history epub Weimar A mobile Weimar A Cultural History PDFEPUBE covers the establishment of the Republic after WWI; the intellectual hostility to the Republic from both the factional idealistic left the chauvenistic idealistic right; novels plays music art architecture; university life; operetta cafes cinema jazz cabarets Yet “as much a part of the Zeitgeist as the Bauhaus The Magic Mountain Prof Heidegger Dr Caligari” writes Laueur “were knickerbockers even Th Mann wore them mass tourism the growth of department stores the death mask of l’Inconnue de la Seine the hit songs of the period occultism nudism the immense impact of radio the cinema” To left intellectuals the democratic Weimar consitution didn't compare to their utopian vision had to be scorned As in many other countries the left was viciously factional hence politically ineffective Inevitably there was much hatred suabbling between communists Social Democrats On the other hand the right intellectuals they resented the description viewed the new constitution as an unpatriotic insult Weimar culture as decadence degenerancy cultural Bolshevism This was a vague term “assuming in all earnest that Dada Brecht’s refrain 'Feed us before you preach to us' or Walter Mehring’s Merchant of Berlin represented the esthetic theory the moral philosophy of Marxism Leninism” In reality the contemporaneous Soviet attitude to the arts was eually anti Modern in this period of girl meets tractor socialist realism But Laueur concludes that these intellectuals played little part in the rise of the Nazi thugs The Nazis were bluntly anti intellectual According to Laueur Berlin was not the sole cultural locus of Weimar Frankfurt Munich Dresden Hamburg Breslau Leipzig were each centres for arts ideas German literature at the time had “no spiritual or geographical centre”– not even as might be expected at the famous Romanische Café in Berlin which is evoked as a “literary caravanserai” populated by school reformers revolutionaries thieves junkies vegetarians the salonkommunisten a group that included such fascinating characters as the great Dada painter Georg Grosz Laueur puts Th Mann in the category of ‘Republican Classics’ the “real representatives of the spirit of the new Republic” Mann was a bürger “a conservative socialist in politics a conservative innovator in literature” who didn't assume roles of “educator or prophet” Major writers of the 's included Stefan George Hermann Hesse but those who best captured the zeitgeist were Heinrich Mann Thomas' elder brother Jakob Wassermann Alfred Döblin whose Berlin Alexanderplatz ' is “unrivalled in world literature as a symphony of big city life” Arnold Zweig Leonard Frank Lion Feuchtwanger The stage was most expressive of the spirit of the age most notably in the productions of Max Reinhardt as well as Reinhardt’s antithesis Leopold Jessner the proletarian theatre impresario Erwin Piscator Bertolt Brecht– “anti bourgeois anti establishment anti respecta.

➚ [KINDLE] ❄ Weimar: A Cultural History By Walter Laqueur ➤ – Nessville.me The 4 note motif running thru the chorus of The Threepenny Opera’s Barbara Song is a crowded bunch of notes– it moves like a dancer stepping on his own toes– seems to be just about the most cyni[KINDLE] Weimar: A Cultural History By Walter Laqueur Nessville.me The 4 note motif running thru the chorus of The Threepenny Opera’s Barbara Song is a crowded bunch of notes– it moves like a dancer stepping on his own toes– seems to be just about the most cyni The note motif running thru the chorus of The Threepenny Opera’s Weimar: A eBook Barbara Song is a crowded bunch of notes– it moves like a dancer stepping on his own toes– seems to be just about the most cynical corrupt sleazy sexually knowing note motif in music “Nice chaps” who knew “how to treat a girl with due respect” once tried courting young Polly Peachum But Polly was armed with a code of chaste behavior that in Joanna von Koczian’s ' performance is explained st with a facetious tone of wide eyed sincerity then with a shocking cynical cackle Oh you can’t lie back you must stay cold at heartOh you must not let your feelings showOh whenever you feel it might startAh then your only answer’s No Dropping the punchline to her sick joke Polly reveals to her horrified parents the reason why this code has allowed her to be seduced by the murderous criminal MacheathMac the Knife “someone who didn’t ask at allas he’d no idea of treating a girl with due respect I could not tell him ‘No’” Kurt Weill Bertolt Brecht’s vision of Victorian Soho– a doppelgänger for s Berlin– is totally corrupt Polly’s father Jonathan Jeremiah Peachum is an entrepreneur who supplies the city’s beggars costumes prosthetics “that will touch the hardest of hearts” Macheath’s best friend is Sheriff Tiger Brown This crooked pair remember army days in India in the Cannon Song If it should rain one night they should chance to sightPallid or swarthy facesOf uncongenial racesThey’ll maybe chop them up to make some beefsteak tartare Here we have Weimar as it's lodged in popular imagination a place of sexual debauchery poverty corruption violence The idea of decadence– not just in the moral sense but also in the sense of civilization's end a doom– was prominent on both right left amid the political economic shambles of postwar Germany; according to Laueur in Weimar A Cultural History it was a sense of finis Germaniae But this sense of doom is also a retrospective attribution on our part; Weimar is colored by our knowledge of the horror that was to totally destroy it The period left behind cultural relics many still vital The Magic Mountain ' The Threepenny Opera ' Metropolis ' M ' The Cabinet of Dr Caligari ' Nosferatu ' Kokoschka Kandinsky Weimar settings of films such as Cabaret ' based on Christopher Isherwood’s Sally Bowles stories Woody Allen’s Shadows Fog ' even Ingmar Bergman’s maligned Serpent’s Egg ' as well as the performances of cabaret revival singers like Ute Lemper have maintained the milieu in the public imagination Laueur calls Weimar “the st truly modern culture” H.

Weimar: A Cultural History PDF ✓ Weimar: A  eBook

Weimar: A Cultural History PDF ✓ Weimar: A eBook Walter Ze'ev Laueur was an American historian journalist and political commentator Laueur Weimar: A eBook ☆ was born in Breslau Lower Silesia Prussia modern Wrocław Poland into a Jewish family In he left Germany for the British Mandate of Palestine His parents who were unable to leave became victims of the HolocaustLaueur lived in Israel from to After one year at the Hebrew Universi.

5 thoughts on “Weimar: A Cultural History

  1. Erik Graff Erik Graff says:

    Weimar: A Cultural History PDF ✓ Weimar: A eBook weimar free, cultural epub, history epub, Weimar A mobile, Weimar A Cultural History PDFEPUBAlthough Norwegian and brought up almost entirely in the USA my intellectual homes have been elsewhere In high school I first got that feeling of familiarity of homeliness reading about the philosophes Diderot's Encyclopedia Voltaire Gracchus Babuef Jean Paul Marat The French Revolution the published ideals of it at least seemed my revolution than the American Maybe it was slavery Maybe it was because I already knew too much about America to be taken in by the published ideals of itIn college and through graduate school the feeling shifted towards Germany not necessarily the state but the German culture inclusive of Austria much of Switzerland et cetera My favorite novelists philosophe


  2. Sarah Zama Sarah Zama says:

    Weimar: A Cultural History PDF ✓ Weimar: A eBook weimar free, cultural epub, history epub, Weimar A mobile, Weimar A Cultural History PDFEPUBOn the whole it's a good intro to the Weimar Republic if you don't know anything about it I enjoyed the first half better then the second Focusing on the politic of the Republic the first half also covers several points of social history and I found that very helpful in understanding the time period The second half tries to cover too much Literature theatre cineman science architecture the visual arts The Weimar Republic was a lively and ripe place for all of these fields and trying to cover each of them with just one chapter is really too much I also had a feeling that the author didn't real


  3. Jerry Peace Jerry Peace says:

    Weimar: A Cultural History PDF ✓ Weimar: A eBook weimar free, cultural epub, history epub, Weimar A mobile, Weimar A Cultural History PDFEPUBI really enjoyed this book but I feel lost much of the time because of my own unfamiliarity with the German artists of that 1918 1932 period That's not Mr Laueur's fault but does color my reading And yet in spite of my ignorance do come away with a feeling of the vibrancy the fearlessness and absurd creativity of the Weimar period art The Bauhaus Brecht Dada just a few of the names that shined then dimmed and now somewhat shine again What the strident right and Nazis vilified as decadent I see as wonderfully exorbitant and extravagantly revolutionary Laueur seems to deny that many if any artistic geniuses emerged from that period He may be right Yet lack of genius is easily forgiven To me much important and its lack not easily forgiven is absolute artistic fearlessness and so many of the Weimar artists exhibit that There are way too many characters to mention in this review But following are some uotes From


  4. Avesta Avesta says:

    Weimar: A Cultural History PDF ✓ Weimar: A eBook weimar free, cultural epub, history epub, Weimar A mobile, Weimar A Cultural History PDFEPUBThe book Weimar A Cultural History 1918 33 is far better than the other books I've read on the period so far It is very in depth; well written not like an essay like other books which continuously use references or uotes from another source Laueur had uite an interesting and uniue interpretation of the period as he suggests the appointment of Brüning as Chancellor of Germany was the start of fascist rule or that the grave digging of German Socialism by Ebert was worse than the Nazi's Although it was in depth it also was uite vague in certain areas of the book; eg states several people who uoted from someone called 'Schiller' while not giving any information as to who this 'Schiller' person is why they uoted from this person who this person was I recommend this book to someone who is already very familiar andor an expert in the period and seeks a different interpretation on the period not for a History student like me I will definitely reread this book once I have learnt


  5. J. J. says:

    Weimar: A Cultural History PDF ✓ Weimar: A eBook weimar free, cultural epub, history epub, Weimar A mobile, Weimar A Cultural History PDFEPUB Schönberg himself also a painter and Kandinsky were friends and in the first Blaue Rieiter almanac an essay by the composer on the new music was published There were close links between the avant garde in music in literature and in the visual arts; those involved were all or less clearly aware that they were part of one general movement After listening to a Schönberg work in 1911 Franz Marc wrote to his friend August Macke that the new music reminded him of Kandinsky There were no longer consonances and dissonan


Leave a Reply

Your email address will not be published. Required fields are marked *